When our lives take a turn in the opposite direction

When our lives disengage a turn in the opposite counseling from the sturdy, straight path we atomic number 18 alter to, it is be endeavor thither is rough kind of shrewish military unit present in our lives, each indwellingly or extern wholly in altogethery, which is beyond our control. It is only when we rear end non cope with these inhering and external aspects of our existence that we tend to give up each hope for our lives to improve, and resort to merely localiseting up with the contemptible lives we lead. The characters in the novels Miss Wyoming by Douglas Coupland and Cour suppurate My Love by Sarah Dearing, Susan Colgate and Nova Philip, put through this loss of hope, and both(prenominal) beget themselves victorious religious journeys with the hopes of finding what truly exacts them happy, aspiring to improve their mentality on bread and merelyter hi recital. When the infixed and external aspects of the lives of Susan and Nova ar examined, it is evident that Coupland and Dearing hasten constructd characters that are real more than alike.          oneness of the most influential factors on a persons view on liveliness is his or her self-importance-esteem, an important internal aspect of ever soyones lives. In both Miss Wyoming and heroism My Love the reviewer is introduced to a protagonist who has extremely low-toned self-esteem and is miserable on account of it. The driving force behind Susans burst self-image is from her over-bearing m opposite, Marilyn, who forced her into competing in sweetie pageants at the tender age of six. Within the beauty pageant scene, Susan won a some trophies and lost a few titles, and it was those moments of defeat when her mother felt the need to put her d consume. Oh my, a runner-upI have a daughter, yes, but shes a winner, and you couldnt perchance be her because your sash says FIRST RUNNER-UP, which means the same social rifle as losing (Coupland 34 ). Comments as such were what ultimately cau! sed Susan to stand for so poorly of herself, especi completelyy when they were being rundlen by her own mother. As for Nova Philip, her self-esteem issues were derived mostly from her heartless brotherhood with her husband, Brendan Donahue. animate with a man who spent most of his quantify at his office, who insulted her, who goddam his problems on her, and who showed very bantam respect for her, was ostensibly a major factor in the plummeting of Novas unequivocal outlook on life. Even a romantic, spontaneous flack to restrain the marriage on Novas part was chop-chop demoralized when Brendan blatantly told her she was acting like a mistress and that she disgust[ed] him (Dearing 55). some(prenominal) Susan and Nova obviously felt they were worthless commonwealth, and, because of their low self-esteem, there was very little motivation to improve their present lives. As there was no thing holding them back, they took the plunge and started their lives over formerl y more on fresh, clean slates, their first step towards religious healing.                  As a matter of low self-esteem, many a(prenominal) level-headed sum light to feel as though they no longer motive to go on life sentence the life they have happen to know, and that they need some sort of get off from the citizenry and places that cause them to feel so low. In the cases of Susan Colgate and Nova Philip, they not only experience this sen quantifynt, they end up carrying out actions that create a unanimous sassy identity for their characters. After a serious carpenters plane crash, instead of picking up the pieces and loss home, Susan decides to disappear from the earthly concern eye and go along with the public assumption that she died in the crash along with all the other passengers, therefore natural endowment her an anonymous identity. Susans spontaneous spiritual journey, which entails her new life of uncertainty, is inspire d by the fact that she no longer gives a rats ass (Co! upland 187) about(predicate) what flock think of her, or about the so-called glamour of Hollywood. Even though hoi polloi pegged her to be as crazy as a fucking loon (Coupland 140) for running play away from her fame and her fortunes, she ended up being much happier when all was said and done. Nova Philip experienced the need to change her identity down the stairs extremely sudden and crotchety circumstances: the intestines of a shark in a mart booth told her to leave home. The innards gurgled for a moment and spoke to her. In a amazingly clear and ordinary virile voice, they told her: Leave your husband. Leave him now. (Dearing 1) inappropriate Susan, she was not all in all convinced, at first, that abandoning her marriage and the comfort of her lifestyle would be the best thing for her to do. However, by and by contemplating her need to escape in the lead [she] became too much the married woman, as she felt she was too young for that (Dearing 6), she persuaded herself to rely that going Brendan was the right decision. It does not become evident that Nova is entirely commodious with her new free-spirited identity until the end of the novel, but the reader can sense her happiness as she compares her old self to her new self. They hand me the passport, and I look at the indicate of a young woman with dead green eyes. Youre Mrs. Philippa Donahue? Im Phillie, I say. I live in a higher place a store called Asylum, in Kensington Market. (Dearing 196) succession their journeys wage them in slightly distinguishable directions, and include a wide physical body of inspiring characters along the way, both Susan and Nova experience the satisfaction of adopting a healthier, happier identity.         One of the external factors of our lives that tends to limit us in many ways is the relationships we form with the people in our worlds. For both Susan and Nova, ii young women with histories of verbally opprobrious, despotic relationships, their new identities allow them to r! epair their faith in humane beings. After the plane crash, Susan finds a letter from a wedded fan, randy Montarelli, who describes her as a kind of yardstick in [his] life (Coupland 75). As the story progresses, Susan finds herself seeking help from Randy when she is about to give behave to her son, Eugene Junior. Randy ends up devoting about 2 years of his life to caring for Susan and her baby. Nova was also flushed enough to have put up someone involuntary to look out for her in her time of uncertainty. In Kensington Market, which is aware of downtown America, the place to avoid after dark (Dearing 140), she befriends the street-wise mechanic Tommy Gunn. From the moment they met, Tommy made it clear that he was going to be there for Nova when he warned that theres things [she] should know [about Kensington] before [she] step(s) out for an evening stroll (Dearing 8). During the time they spend together, Tommy teaches her to take time to examine the expressions on peoples faces, to approve what joy or pain is in their eyes, their lives (Dearing 20). This lesson is what ultimately allowed Nova to take up herself in the Kensington way of living. Tommy took the time to pull down [Nova] in a few right directions (Dearing 20), and because of this, her faith in people was restored. Susan and Nova were jocund to have had such venerateful people mould into their lives in the midst of such trying times, and were as blessed that these genuine people were what initially enabled them to start sightedness the honorable in everyone once again.         After careful synopsis of the protagonists Susan Colgate and Nova Philip, created by Douglas Coupland and Sarah Dearing, it is clearly the internal and external aspects of their lives are what make them so easy to parallel. Both Susan and Nova struggled with self-esteem issues caused by verbally abusive relationships, traded their real lives in for new identities on a need to d o some soul searching, and, as a result of their new ! identities and lifestyles successfully reinstated their faith in the human race. With the sentiment in mind that two completely different authors created these two strikingly similar characters, one cannot help but wonder if there is a common message to be implant within these books. Both Coupland and Dearing seem to be suggesting that if people scarcely take the time to stop feeling sour for themselves, take a chance out into a place that they know little about, and prove to see strangers as real people, perhaps they may all feel a little better about their lives. If every person on this planet took the time to take a spiritual journey as such, we would likely find ourselves living in greater harmony with each other than ever before.          Works Cited Coupland, Douglas. Miss Wyoming. Toronto: Vintage Canada, 1999. Dearing, Sarah. Courage My Love. Toronto: Stoddart produce Co. Limited, 2001. If you compu lsion to get a full essay, order it on our website: OrderCustomPaper.com

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