The Glass Menagerie: What Sort Of Atmosphere Is Created and How Is It Achieved In The Opening Three Scenes

There be many positionors which trick contribute to the pervading atmosphere of any turn tail. But in this hearten there are peculiar, original ways in which Williamss goes approximately this. The Glass Menagerie would seem interchangeable a harder play to realize a dense atmosphere for because of the small amount of characters and the only mavin setting. A major difference in this play is evident this instant from the beginning. This is the narration that the audience is given by one of the main characters, tomcat.It is remote because once his narration is given, Tom jumps directly into the dialogue. This resembles very much a film, because with camera and voice over techniques the narration is made a stage set easier. We also know that Williams started by writing blindplays and so this use of Tom would have come from his Hollywood experiences. The mood created by Tom is forked and it depends on the reader. The social history which is described by Tom, the huge matri culating in a school for the blind is in the negative while the pictural description of the play is written in a very grief but interesting tone, it is sentimental Williams gives very strict stage directions and this can only contribute to the atmosphere, even without lines being read.Atmospheric touches and subtleties of direction play a large part the opening description of the set and how it should be set out is one of the largest factors of atmosphere. Williams uses words and phrases such as dark, black-market rear wall and murky canyons of tangled inister lattice work With directions like this, the modern manager is obviously going to create a closely gothic picture of scary darkness, and it is because of these directions that atmosphere is formulated so easily. The fact that this is a reposition play automatically gives atmosphere to the audience. Even Williams himself tells us that this play can be presented with unusual freedom from convention is allowing the dir ector to cut the strings a little and maybe take the play into areas which might have a greater effect on the audience.A good example of this is found in the directions also, memory is seated predominately inside the heart. The immotive and exaggerated nature of the play will no doubt convert to the atmosphere. The use of the screen is also a large part of the atmosphere. It is a very unusual device and it is obvious that because of his film experience Williams has include the screen. So he is capable in some ways of being able to manipulate the play in similar ways to a film.For example, a film can suddenly cut to a alone different place, with different characters. The screen allows extra freedom with emotions. It also wish very well the memory aspect of the play in which actions or scenery can be unnatural. It can be said that the screen has a symbiotic relationship with the memory, we know as humans that memory is not straightforward and direct, and that the mind can paint wo nderful pictures. It is this gumption of mind, which the screen adds to the atmosphere.